{"id":283,"date":"2014-01-16T00:25:27","date_gmt":"2014-01-15T23:25:27","guid":{"rendered":"http:\/\/www.cfpr.eu\/wordpress\/?page_id=283"},"modified":"2026-06-21T16:03:27","modified_gmt":"2026-06-21T14:03:27","slug":"articoli-di-stampa","status":"publish","type":"page","link":"https:\/\/www.cfpr.eu\/en\/servizi\/articoli-di-stampa\/","title":{"rendered":"Media"},"content":{"rendered":"<p><\/p>\n<hr \/>\n<h1 style=\"text-align: center;\"><span style=\"text-decoration: underline;\">VIDEO:<\/span><\/h1>\n<p style=\"text-align: center;\">MEVLEVI MUSEUM IN CAIRO, EGYPT<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/mesdv71fHRE?si=IYWYz7RjpR6PSIYn\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Conservazione del Palazzo, QUSUN- YASBAK AQBARDI \/ Progetto di Giuseppe Fanfoni<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/O_Rx89irwOY?si=WujBzjBdzuYpnBvA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">Giuseppe Fanfoni: Design della Sama&#8217;Khana del Cairo &#8211; Architettura e rito mevlevi:<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/2FKZj9oV80o\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">RESTAURO DEL TEATRO DEI DERVISHI AL CAIRO<br \/>\n(Terzo Canale della TV svizzera -NAUTILUS- 9 maggio 1988)<\/p>\n<div id=\"wpfp_74a1f4e346e8e65e06e170b7e943e192\" data-item=\"{&quot;sources&quot;:[{&quot;src&quot;:&quot;https:\\\/\\\/www.cfpr.eu\\\/MP4\\\/RESTAURO DEL TEATRO DEI DERVISHI AL CAIRO.mp4&quot;,&quot;type&quot;:&quot;video\\\/mp4&quot;}],&quot;id&quot;:&quot;1&quot;}\" class=\"flowplayer no-brand is-splash is-paused skin-slim no-svg fp-slim fp-edgy\" style=\"position:relative; max-width: 560px; max-height: 315px; \" data-ratio=\"0.5625\">\n\t<div class=\"fp-ratio\" style=\"padding-top: 56.25%\"><\/div>\n\t<div class=\"fp-ui\"><noscript>Please enable JavaScript<\/noscript><div class=\"fp-play fp-visible\"><svg class=\"fp-play-sharp-fill\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 100 100\"><defs><style>.fp-color-play{opacity:0.65;}.controlbutton{fill:#fff;}<\/style><\/defs><title>play-sharp-fill<\/title><path class=\"fp-color-play\" d=\"M49.9217-.078a50,50,0,1,0,50,50A50.0564,50.0564,0,0,0,49.9217-.078Z\"\/><polygon class=\"controlbutton\" points=\"73.601 50 37.968 70.573 37.968 29.427 73.601 50\" filter=\"url(#f1)\"\/><\/svg><\/div><div class=\"fp-preload\"><b><\/b><b><\/b><b><\/b><b><\/b><\/div><\/div>\n\n<\/div>\n\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>The Sema&#8217; of the Mevlevi Dervishes in Cairo<\/i>:<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/_FuCHw53eJk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>La sama\u2019 khana del Cairo TG2 Special:<\/i><\/p>\n<p style=\"text-align: center;\"><iframe data-src=\"https:\/\/www.youtube.com\/embed\/DgMZooMRVHw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>Premio Rotondi 2012<\/i>:<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/u2DlUK6jjUQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/dSYhK7tuzWU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>Il Complesso dei Dervisci Mevlevi, Mediterraneo RAI 3:<\/i><\/p>\n<p style=\"text-align: center;\"><iframe data-src=\"https:\/\/www.youtube.com\/embed\/M_TaW1pj-Gg\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>La nuova vita del Teatro dei Dervisci Danzanti<\/i>:<\/p>\n<p align=\"CENTER\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/OD3PxQnvWQo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>Proporzioni geometriche della SAMA&#8217;KHANA MEVLEVI DEL CAIRO:<\/i><\/p>\n<p style=\"text-align: center;\"><iframe data-src=\"https:\/\/www.youtube.com\/embed\/XiXXuwlw78A\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>Il restauro della sama&#8217;khana Mevlevi al Caioro<\/i>:<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/IFOx0lF7e08\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>Le pitture della sama&#8217; khana del Cairo<\/i>:<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/fD0_Iu6k7fY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>I Mevlevi e il Mausoleo di Sunqur Sa&#8217; Di al Cairo<\/i>:<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/jYhvypLbFuc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>Cantiere-Scuola di specializzazione<\/i>:<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/cTdCC7sOG6w\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">Kahire Mevlevihanesi\/MISIR<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/mevlanaturbesi.semazen.net\/kahire-mevlevihanesi-2\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"aligncenter wp-image-5085 size-full lazyload\" data-src=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2025\/11\/Kahire-Mevlevihanesi.jpg\" alt=\"\" width=\"560\" height=\"315\" data-srcset=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2025\/11\/Kahire-Mevlevihanesi.jpg 560w, https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2025\/11\/Kahire-Mevlevihanesi-300x169.jpg 300w, https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2025\/11\/Kahire-Mevlevihanesi-520x293.jpg 520w, https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2025\/11\/Kahire-Mevlevihanesi-320x180.jpg 320w\" data-sizes=\"(max-width: 560px) 100vw, 560px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 560px; --smush-placeholder-aspect-ratio: 560\/315;\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<h1 style=\"text-align: center;\">&#8220;STAMPA <span style=\"font-size: 14pt;\">selezione&#8221;<\/span><\/h1>\n<ul>\n<li>Chafik Chamass- <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1980-3-2-le-progres-2-3-80-Chafik-Chamass1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Restauration du theatre en ronde<\/a>.<\/em> In LE PROGRES EGYPTIEN, 2\/3\/1980, Egypt<\/li>\n<li>Chafik Chamass- <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1980-3-16-le-progres.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">L&#8217;interessante exposition de Giuseppe Fanfoni<\/a>.<\/em> In LE PROGRES EGYPTIEN 16\/3\/1980, Egypt<\/li>\n<li>Arminio Savioli- <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2019\/04\/Arminio-Savioli-page_009.pdf\">Il ritorno dei dervisci<\/a>. <\/em>In L&#8217;UNITA&#8217; 8\/1\/1983, Italia<\/li>\n<li>James Bedding &#8211; <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1988-6-giugno.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Cairo Monuments basis of new cooperation.<\/em><\/a> In THE MIDDLE EAST June 1988, Egypt<\/li>\n<li>Amal Choucri Catta- <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1988-9-settembre-Aujourdhui-LEGYPTE_English-edition-Samakhana-of-the-Mewlewi-Derwishes-by-Amal-Choucri-Catta.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Sama&#8217;khana of the Mewlewi Derwishes<\/a>, <\/em>in AUJOURD\u2019HUI L&#8217;EGYPTE English edition &#8211; September 1988, Egypt<\/li>\n<li>James Bedding &#8211; <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1988-10-ottobre-cairo-today.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Mystical Proportions and how they were recreated<\/em><\/a>, in CAIRO TODAY October 1988, Egypt<\/li>\n<li>Clara Valenziano &#8211; <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1989-12-21-Clara-Valenziano-LA-REPUBBLICA-DAL-1989.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Per Maometto estasi e sangue<\/em>,<\/a> in LA REPUBBLICA 21\/12\/1989, Italia<\/li>\n<li>Amal Choucri Catta \u2013<em> <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1990-12-23-Theatre_le-progres.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Nouvelles r\u00e9centes du theatre des Derviches Tourneurs<\/a><\/em>. In LE PROGRES EGYPTIEN, 23\/12\/1990, Egypt<\/li>\n<li>ANSA <em>&#8211; <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1991-6-9-Intervista-Ruberti.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Comunicato Intervista rilasciata dall&#8217;On Antonio Ruberti<\/a>, <\/em>8-9\/6\/1991, Il Cairo<\/li>\n<li>ANSA &#8211; <em>Registrazione Intervista rilasciata dall&#8217;On Antonio Ruberti,<\/em> 9\/6\/1991, Il Cairo: <em>Clic play per ascoltare..<\/em><\/li>\n<\/ul>\n<table class=\" aligncenter\" style=\"width: 450px; height: 5px;\">\n<tbody>\n<tr>\n<td style=\"width: 450px; height: 5px;\"><div class=\"sc_fancy_player_container\"><audio class=\"wp-audio-shortcode\" id=\"audio-283-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1991-6-8-RUBERTI-CIERA-1.mp3?_=2\" \/><a href=\"http:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1991-6-8-RUBERTI-CIERA-1.mp3\">http:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1991-6-8-RUBERTI-CIERA-1.mp3<\/a><\/audio><\/div><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Salvatore Spoto \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1992-3-4-il-messaggero.pd\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Studiosi romani in Egitto con un progetto anti-degrado. <\/em><\/a>In Il MESSAGGERO, 4\/3\/1992, Italia<\/li>\n<li>ANSA \u2013 <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1992-8-11-El-Universal.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">El Cairo Y ahora la Esfinge ser\u00e0 eterna<\/a>. <\/em>In EL UNIVERSAL, 11\/8\/1992 Mexico<\/li>\n<li>El SHAAB \u2013 \u2026<em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1992-8-11-El-Shaab-12.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">I monumenti Islamici<\/a>.<\/em> In El SHAAB (Il Popolo) 11\/8\/1992,\u00a0Egypt<\/li>\n<li>El ADAF \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1992-9-26-El-Adaf-Kuwait.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>la samakhana \u00e8 un monumento<\/em><\/a>. In LA VOCE DEL KUWEIT, 26\/9\/1992 Kuweit<\/li>\n<li>Luisa Bongrani \u2013 <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1992-5-12-messaggero-Bongrani.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Non svegliate la regina<\/a>.<\/em> In Il MESSAGGERO, 12\/5\/1992, Italia<\/li>\n<li>Daniele Abbiati \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1992-8-6-il-Giornale.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>La Sfinge con gli stivali<\/em>.<\/a> In Il GIORNALE, 6\/8\/1992, Italia<\/li>\n<li>Amal Choucri Catta \u2013 <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1992-8-23-Theatre_le-progres.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Restauration du Mausol\u00e9e de Hasan Sadaqa<\/a>. <\/em>In LE PROGRES EGYPTIEN, 23\/8\/1992,\u00a0Egypt<\/li>\n<li>Cristina Mochi e Antonella Tarquini &#8211; <em>Chi salver\u00e0 la Sfinge? <\/em>In FOCUS, n. 5 marzo 1993, Italia<em>\u00a0<\/em><\/li>\n<li>Salvatore Giannella &#8211;\u00a0<a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2020\/05\/Oggi-Sfinge-Giannella.pdf\"><em>La Sfinge muore di cancro. <\/em><\/a>In OGGI, 28\/5\/1997 Italia<\/li>\n<li>Fayza Hassan \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1998-1-29-Celestial-Al-Ahram.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Celestial Spheres. <\/em><\/a>In Al AHRAM, 4\/2\/ 1998 Egypt<\/li>\n<li>Franco Marcoaldi \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1999-3-7-la-repubblica.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>La storia in fondo al pozzo. <\/em><\/a>In LA REPUBBLICA, 7\/3\/1999, Italia<\/li>\n<li>ANSA \u2013 <em>Egitto: <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2000-4-3-ansa.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">un italiano restituisce ai dervisci il loro teatro<\/a>. <\/em>3\/4\/2000 Il Cairo<\/li>\n<li>Fayza Hassan \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2002-2-28-Faiza-Hasan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Inheritance disputes. <\/em><\/a>In Al AHRAM, 28\/2\/2002,\u00a0Egypt<\/li>\n<li>Katia Sabet \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2002-12-22-Sabet-22-12-2002.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>La samakhana: un exemple a\u2019 suivre<\/em>.<\/a> LE PROGRES EGYPTIEN, 22\/12\/2002,\u00a0Egypt<\/li>\n<li>Giuseppe Fanfoni.\u00a0<a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2017\/07\/36-De-Agostini-dervisci-1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em style=\"font-weight: inherit;\">Il cosmo in una danza<\/em><\/a>. In: Pharaon Magazine \u2013 DE AGOSTINI Periodici, Anno III, n. 2\/2007, Italia<\/li>\n<li>La Cooperazione Italiana in Egitto \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2005-8-UTL-newsletter.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Testimonianze da UTL<\/em>.<\/a> In Newsletter, 2005-2008, Ambasciata Il Cairo<\/li>\n<li>EST- <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2025\/08\/2008-01-14-inaugurazione-il-velino-1.pdf\" target=\"_blank\" rel=\"noopener\">Egitto, inaugurato al Cairo il complesso Dervisci Mevlevi<\/a><\/em><\/li>\n<li>Rossella Fabiani \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2007-11-6-indipendente.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Un italiano fa rivivere i dervisci del Cairo<\/em><\/a>. In l\u2019Indipendente, 6\/11\/2007, Italia<\/li>\n<li>Nevine El Aref \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2008-4-24-Aharam-NEVINE-EL-AREF.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Dancing like a Mawlawi<\/em>.<\/a> In Al AHRAM, 24\/4\/2008,\u00a0Egypt<\/li>\n<li>Maria Casini \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2008-Aprile-CASINI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Il convento dei monaci ballerini<\/em>.<\/a> In IL GIORNALE DELL\u2019ARTE, aprile 2008<\/li>\n<li>Newsletter &#8211;<a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2009-Samakhana-the-hall-of-listening.-In-Newsletternum1January2009-CIERA-CNR.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Samakhana &#8220;The Hall of Listening&#8221;<\/em>.<\/a> In Egypt-Italy Science Year 2009, Egypt<\/li>\n<li>Giovanni Lattanzi \u2013<a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2009-10-25-Antika-Lattanzi-Restauri-Restauratori-Cairo-Alex-Matera-bari.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em> Egitto e Italia \u201cRestauri e Restauratori\u201d<\/em><\/a><em>. <\/em>In Formazione mostre restauri. 25\/10\/2009, Italia<\/li>\n<li>Rossella Fabiani \u2013 <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2009-febbraio-12_11_LIBERAL_24.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Un italiano al Cairo fa rivivere i Dervisci<\/a>.<\/em>\u00a0 In LIBERAL, 11\/2\/2009, Italia<\/li>\n<li>ANSAmed \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2010-10-20-Ansamed-Benni.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Egitto: Da Ges\u00f9 ai dervisci, una mostra italiana al Cairo<\/em><\/a>. 20\/10\/2010, Il Cairo<\/li>\n<li>Valentina Cattane &#8211; <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2010-11-2-Giuseppe-Fanfoni\u2019s-Visual-Arts-and-Restoration-Al-Masry-Al-Youm-Todays.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Giuseppe Fanfoni\u2019s &#8216;Visual Arts and Restoration&#8217;<\/em><\/a>. In MASRY AL-YOUM, 2\/11\/2010,\u00a0Egypt<\/li>\n<li>Valentina Cattane &#8211; <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2014\/01\/The-complex-of-the-Mevlevi-Dervishes.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The complex of the Mevlevi Dervishes: Listening to the harmony of\u00a0<\/em><\/a><em>the cosmos. <\/em>In MASRY AL-YOUM, 17\/11\/2010,\u00a0Egypt<\/li>\n<li>Doaa Elhami \u2013 <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2014\/01\/Hebdo-2010.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">La Passion du restaurateur.<\/a> <\/em>In Al AHRAM HEBDO, 28\/12\/2010,\u00a0Egypt<\/li>\n<li>Giuseppe Acconcia \u2013 <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2010-6-17-Al-Ahram-The-Mevlevis-house-Acconcia.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">The Mavlevi\u2019s house<\/a>.<\/em> In Al AHRAM, 17\/6\/2010,\u00a0Egypt<\/li>\n<li>Patrizia Raveggi \u2013 <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2025\/08\/Arti-Visive-e-Restauro-Raveggi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Giuseppe Fanfoni: codici, itinerari, linguaggi<\/a>. <\/em>In ARTI VISIVE E RESTAURO, 20\/10\/2010, Il Cairo<\/li>\n<li>Mona Serry \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2011-1-10-AL-MASAEYA-Monday-January-10.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>La biblioteca alessandrina ospita Giuseppe Fanfoni, un artista italiano<\/em><\/a>. In EL MASAEYA, 10\/1\/2011,\u00a0Egypt<\/li>\n<li>Sarah Elhaddad &#8211;\u00a0<i>Artist Giuseppe Fanfoni at the BA<\/i> \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2014\/01\/BibAlex_2011.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Identity preservation in renewed uses of ancient monuments<\/em>.<\/a> In BIBALEX, 2011 April,\u00a0Egypt<\/li>\n<li>Shelly Kittleson \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2013-1-10-ANSA-10-1-13.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Italian professor helps restore Cairo sufi complex<\/em>.<\/a> In ANSA NEWS, 10\/1\/2013,\u00a0Egypt<\/li>\n<li>Giuseppe Acconcia \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2013-8-3-Italiani-dEgitto-Il-Manifesto.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Italiani d\u2019Egitto, un mondo sommerso dalle rivolte<\/em>.<\/a> In Il MANIFESTO, 3\/8\/2013,\u00a0Egypt<\/li>\n<li>Rossella Fabiani \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2014\/01\/Oss.-Romano-gen-2014.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Dove ruotavano i dervisci<\/em><\/a>. In L\u2019OSSERVATORE ROMANO, 20\/1\/2014, Vaticano<\/li>\n<li>Doaa Elhani \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2014-11-12-Hebdo-12-11-14.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Giuseppe Fanfoni: La conservation est d\u2019une importance majeure pour les g\u00e9n\u00e9rations \u00e0 venir. <\/em><\/a>In Al AHRAM HEBDO, 12\/11\/2014<\/li>\n<li>Giuseppe Fanfoni \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2016\/08\/limparziale.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">CIERA: Cantiere scuola di specializzazione. In Il progresso imparziale<\/a>, LE PROGRES EGYPTIEN, 21\/6\/ 2016<\/li>\n<li>Sada El Balad &#8211; <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2017-da-Sada-El-Balad-2014-11-23-Italia-Egitto.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>2014-11-23 Archeologia Italia-Egitto<\/em><\/a>, 2017, Egitto<\/li>\n<li>Rehab Abdel Aal &#8211;<a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/12\/Articolo-Haggaghi-it-ar.pdf\"> Un archeologo avverte del problema con l&#8217;Italia dopo che \u00e8 stato sequestrato l&#8217;equipaggiamento della missione archeologica italiana<\/a>.\u00a0In Akhbar El Yom News, 2018 Agosto 19.<\/li>\n<li>Elena Panarella e Rossella Fabiani &#8211;\u00a0<em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/12\/MESSAGGERO-11-11-2018.pdf\">All\u2019Accademia d\u2019Egitto un italiano fa rivivere la Sama\u2019Khana dei dervisci ruotanti del Cairo<\/a>. <\/em>In IL MESSAGGERO 11\/11\/2018<\/li>\n<li>Rossella Fabiani \u2013\u00a0Un professore italiano fa rivivere al Cairo la citt\u00e0 segreta dei dervisci mevlevi- <a href=\"https:\/\/www.ilmessaggero.it\/viaggi\/news\/egitto_cairo_giuseppe_fanfoni_scavi_archeologia-5519035.html\" target=\"_blank\" rel=\"noopener noreferrer\">In Il Messaggero.\u00a012 Ottobre 2020<\/a>.<\/li>\n<li>Cinzia Rolli &#8211; Il Cairo che non ti aspetti: le sorprendenti scoperte del Professore Giuseppe Fanfoni- In L\u2019identit\u00e0. 6 Ottobre 2025 <a href=\"https:\/\/www.lidentita.it\/il-cairo-che-non-ti-aspetti-le-sorprendenti-scoperte-del-professore-giuseppe-fanfoni\/\">Il Cairo che non ti aspetti: intervista al Professor Giuseppe Fanfoni<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>VIDEO: MEVLEVI MUSEUM IN CAIRO, EGYPT Conservazione del Palazzo, QUSUN- YASBAK AQBARDI \/ Progetto di Giuseppe Fanfoni &nbsp; Giuseppe Fanfoni: Design della Sama&#8217;Khana del Cairo &#8211; Architettura e rito mevlevi: &nbsp; RESTAURO DEL TEATRO&#46;&#46;&#46;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":40,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-283","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/pages\/283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/comments?post=283"}],"version-history":[{"count":206,"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/pages\/283\/revisions"}],"predecessor-version":[{"id":5131,"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/pages\/283\/revisions\/5131"}],"up":[{"embeddable":true,"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/pages\/40"}],"wp:attachment":[{"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/media?parent=283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}