{"id":4166,"date":"2020-10-08T18:06:20","date_gmt":"2020-10-08T16:06:20","guid":{"rendered":"https:\/\/www.cfpr.eu\/?page_id=4166"},"modified":"2022-09-26T11:58:57","modified_gmt":"2022-09-26T09:58:57","slug":"prova","status":"publish","type":"page","link":"https:\/\/www.cfpr.eu\/en\/prova\/","title":{"rendered":"Test"},"content":{"rendered":"<p><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><span style=\"text-decoration-line: underline; font-size: 24pt;\">MEDIA:<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">RESTAURO DEL TEATRO DEI DERVISHI AL CAIRO<\/p>\n<div id=\"wpfp_ddce6257ad1816566337c8c90119c09c\" data-item=\"{&quot;sources&quot;:[{&quot;src&quot;:&quot;https:\\\/\\\/www.cfpr.eu\\\/MP4\\\/RESTAURO DEL TEATRO DEI DERVISHI AL CAIRO.mp4&quot;,&quot;type&quot;:&quot;video\\\/mp4&quot;}],&quot;id&quot;:&quot;1&quot;}\" class=\"flowplayer no-brand is-splash is-paused skin-slim no-svg fp-slim fp-edgy\" style=\"position:relative; max-width: 560px; max-height: 315px; \" data-ratio=\"0.5625\">\n\t<div class=\"fp-ratio\" style=\"padding-top: 56.25%\"><\/div>\n\t<div class=\"fp-ui\"><noscript>Please enable JavaScript<\/noscript><div class=\"fp-play fp-visible\"><svg class=\"fp-play-sharp-fill\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 100 100\"><defs><style>.fp-color-play{opacity:0.65;}.controlbutton{fill:#fff;}<\/style><\/defs><title>play-sharp-fill<\/title><path class=\"fp-color-play\" d=\"M49.9217-.078a50,50,0,1,0,50,50A50.0564,50.0564,0,0,0,49.9217-.078Z\"\/><polygon class=\"controlbutton\" points=\"73.601 50 37.968 70.573 37.968 29.427 73.601 50\" filter=\"url(#f1)\"\/><\/svg><\/div><div class=\"fp-preload\"><b><\/b><b><\/b><b><\/b><b><\/b><\/div><\/div>\n\n<\/div>\n\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">The Sema&#8217; of the Mevlevi Dervishes in Cairo<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/_FuCHw53eJk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>La sama\u2019khana del Cairo TG2 Special:<\/i><\/p>\n<p style=\"text-align: center;\"><iframe data-src=\"https:\/\/www.youtube.com\/embed\/DgMZooMRVHw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>Premio Rotondi 2012<\/i>:<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/u2DlUK6jjUQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/dSYhK7tuzWU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>Il Complesso dei Dervisci Mevlevi, Mediterraneo RAI 3:<\/i><\/p>\n<p style=\"text-align: center;\"><iframe data-src=\"https:\/\/www.youtube.com\/embed\/M_TaW1pj-Gg\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>La nuova vita del Teatro dei Dervisci Danzanti<\/i>:<\/p>\n<p align=\"CENTER\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/OD3PxQnvWQo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>Geometrical proportion of the MEVLEVI SAMA&#8217;KHANA IN CAIRO:<\/i><\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/FtJOIEbWi4k\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/mbIQvyt-l7k\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>Il restauro della sama&#8217;khana Mevlevi al Caioro<\/i>:<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/IFOx0lF7e08\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>Le pitture della sama&#8217; khana del Cairo<\/i>:<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/fD0_Iu6k7fY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>I Mevlevi e il Mausoleo di Sunqur Sa&#8217; Di al Cairo<\/i>:<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/jYhvypLbFuc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><i>Cantiere-Scuola di specializzazione<\/i>:<\/p>\n<p style=\"text-align: center;\"><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/cTdCC7sOG6w\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h1 style=\"text-align: center;\">&#8220;PRESS <span style=\"font-size: 14pt;\">selection<\/span><span style=\"font-size: 14pt;\"><strong>&#8220;<\/strong><\/span><\/h1>\n<ul>\n<li>Chafik Chamass- <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1980-3-2-le-progres-2-3-80-Chafik-Chamass1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Restauration du theatre en ronde<\/a>.<\/em> In LE PROGRES EGYPTIEN, 2\/3\/1980, Egypt<\/li>\n<li>Chafik Chamass- <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1980-3-16-le-progres.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">L&#8217;interessante exposition de Giuseppe Fanfoni<\/a>.<\/em> In LE PROGRES EGYPTIEN 16\/3\/1980, Egypt<\/li>\n<li>Arminio Savioli- <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2019\/04\/Arminio-Savioli-page_009.pdf\">Il ritorno dei dervisci<\/a>. <\/em>In L&#8217;UNITA&#8217; 8\/1\/1983, Italia<\/li>\n<li>James Bedding &#8211; <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1988-6-giugno.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Cairo Monuments basis of new cooperation.<\/em><\/a> In THE MIDDLE EAST June 1988, Egypt<\/li>\n<li>Amal Choucri Catta- <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1988-9-settembre-Aujourdhui-LEGYPTE_English-edition-Samakhana-of-the-Mewlewi-Derwishes-by-Amal-Choucri-Catta.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Sama&#8217;khana of the Mewlewi Derwishes<\/a>, <\/em>in AUJOURD\u2019HUI L&#8217;EGYPTE English edition &#8211; September 1988, Egypt<\/li>\n<li>James Bedding &#8211; <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1988-10-ottobre-cairo-today.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Mystical Proportions and how they were recreated<\/em><\/a>, in CAIRO TODAY October 1988, Egypt<\/li>\n<li>Clara Valenziano &#8211; <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1989-12-21-Clara-Valenziano-LA-REPUBBLICA-DAL-1989.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Per Maometto estasi e sangue<\/em>,<\/a> in LA REPUBBLICA 21\/12\/1989, Italia<\/li>\n<li>Amal Choucri Catta \u2013<em> <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1990-12-23-Theatre_le-progres.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Nouvelles r\u00e9centes du theatre des Derviches Tourneurs<\/a><\/em>. In LE PROGRES EGYPTIEN, 23\/12\/1990, Egypt<\/li>\n<li>ANSA <em>&#8211; <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1991-6-9-Intervista-Ruberti.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Comunicato Intervista rilasciata dall&#8217;On Antonio Ruberti<\/a>, <\/em>8-9\/6\/1991, Il Cairo<\/li>\n<li>ANSA &#8211; <em>Registrazione Intervista rilasciata dall&#8217;On Antonio Ruberti,<\/em> 9\/6\/1991, Il Cairo:\u00a0<span id=\"result_box\" class=\"short_text\" lang=\"en\" tabindex=\"-1\"><span class=\"\"><em>Click play to listen<\/em>..<\/span><\/span><\/li>\n<\/ul>\n<table class=\" aligncenter\" style=\"width: 450px; height: 5px;\">\n<tbody>\n<tr>\n<td style=\"width: 450px; height: 5px;\"><div class=\"sc_fancy_player_container\"><audio class=\"wp-audio-shortcode\" id=\"audio-4166-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1991-6-8-RUBERTI-CIERA-1.mp3?_=2\" \/><a href=\"http:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1991-6-8-RUBERTI-CIERA-1.mp3\">http:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1991-6-8-RUBERTI-CIERA-1.mp3<\/a><\/audio><\/div><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<ul>\n<li>Salvatore Spoto \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1992-3-4-il-messaggero.pd\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Studiosi romani in Egitto con un progetto anti-degrado. <\/em><\/a>In Il MESSAGGERO, 4\/3\/1992, Italia<\/li>\n<li>ANSA \u2013 <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1992-8-11-El-Universal.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">El Cairo Y ahora la Esfinge ser\u00e0 eterna<\/a>. <\/em>In EL UNIVERSAL, 11\/8\/1992 Mexico<\/li>\n<li>El SHAAB \u2013 \u2026<em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1992-8-11-El-Shaab-12.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">I monumenti Islamici<\/a>.<\/em> In El SHAAB (Il Popolo) 11\/8\/1992, Egypt<\/li>\n<li>El ADAF \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1992-9-26-El-Adaf-Kuwait.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>la samakhana \u00e8 un monumento<\/em><\/a>. In LA VOCE DEL KUWEIT, 26\/9\/1992 Kuweit<\/li>\n<li>Luisa Bongrani \u2013 <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1992-5-12-messaggero-Bongrani.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Non svegliate la regina<\/a>.<\/em> In Il MESSAGGERO, 12\/5\/1992, Italia<\/li>\n<li>Daniele Abbiati \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1992-8-6-il-Giornale.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>La Sfinge con gli stivali<\/em>.<\/a> In Il GIORNALE, 6\/8\/1992, Italia<\/li>\n<li>Amal Choucri Catta \u2013 <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1992-8-23-Theatre_le-progres.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Restauration du Mausol\u00e9e de Hasan Sadaqa<\/a>. <\/em>In LE PROGRES EGYPTIEN, 23\/8\/1992, Egypt<\/li>\n<li>Cristina Mochi e Antonella Tarquini &#8211; <em>Chi salver\u00e0 la Sfinge? <\/em>In FOCUS, n. 5 marzo 1993, Italia<\/li>\n<li>Salvatore Giannella &#8211;\u00a0<em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2020\/05\/Oggi-Sfinge-Giannella.pdf\">La Sfinge muore di cancro<\/a>. <\/em>In OGGI, 28\/5\/1997 Italia<\/li>\n<li>Fayza Hassan \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1998-1-29-Celestial-Al-Ahram.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Celestial Spheres. <\/em><\/a>In Al AHRAM, 4\/2\/ 1998 Egypt<\/li>\n<li>Franco Marcoaldi \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/1999-3-7-la-repubblica.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>La storia in fondo al pozzo. <\/em><\/a>In LA REPUBBLICA, 7\/3\/1999, Italia<\/li>\n<li>ANSA \u2013 <em>Egitto: <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2000-4-3-ansa.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">un italiano restituisce ai dervisci il loro teatro<\/a>. <\/em>3\/4\/2000 Il Cairo<\/li>\n<li>Fayza Hassan \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2002-2-28-Faiza-Hasan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Inheritance disputes. <\/em><\/a>In Al AHRAM, 28\/2\/2002, Egypt<\/li>\n<li>Katia Sabet \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2002-12-22-Sabet-22-12-2002.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>La samakhana: un exemple a\u2019 suivre<\/em>.<\/a> LE PROGRES EGYPTIEN, 22\/12\/2002, Egypt<\/li>\n<li>Giuseppe Fanfoni. <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2017\/07\/36-De-Agostini-dervisci-1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em style=\"font-weight: inherit;\">Il cosmo in una danza<\/em><\/a>. In: Pharaon Magazine \u2013 DE AGOSTINI Periodici, Anno III, n. 2\/2007, Italia<\/li>\n<li>La Cooperazione Italiana in Egitto \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2005-8-UTL-newsletter.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Testimonianze da UTL<\/em>.<\/a> In Newsletter, 2005-2008, Ambasciata Il Cairo<\/li>\n<li>Rossella Fabiani \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2007-11-6-indipendente.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Un italiano fa rivivere i dervisci del Cairo<\/em><\/a>. In l\u2019Indipendente, 6\/11\/2007, Italia<\/li>\n<li>Nevine El Aref \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2008-4-24-Aharam-NEVINE-EL-AREF.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Dancing like a Mawlawi<\/em>.<\/a> In Al AHRAM, 24\/4\/2008, Egypt<\/li>\n<li>Maria Casini \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2008-Aprile-CASINI.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Il convento dei monaci ballerini<\/em>.<\/a> In IL GIORNALE DELL\u2019ARTE, aprile 2008<\/li>\n<li>Newsletter &#8211;<a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2009-Samakhana-the-hall-of-listening.-In-Newsletternum1January2009-CIERA-CNR.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Samakhana &#8220;The Hall of Listening&#8221;<\/em>.<\/a> In Egypt-Italy Science Year 2009, Egypt<\/li>\n<li>Giovanni Lattanzi \u2013<a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2009-10-25-Antika-Lattanzi-Restauri-Restauratori-Cairo-Alex-Matera-bari.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em> Egitto e Italia \u201cRestauri e Restauratori\u201d<\/em><\/a><em>. <\/em>In Formazione mostre restauri. 25\/10\/2009, Italia<\/li>\n<li>Rossella Fabiani \u2013 <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2009-febbraio-12_11_LIBERAL_24.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Un italiano al Cairo fa rivivere i Dervisci<\/a>.<\/em> In LIBERAL, 11\/2\/2009, Italia<\/li>\n<li>ANSAmed \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2010-10-20-Ansamed-Benni.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Egitto: Da Ges\u00f9 ai dervisci, una mostra italiana al Cairo<\/em><\/a>. 20\/10\/2010, Il Cairo<\/li>\n<li>Valentina Cattane &#8211; <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2010-11-2-Giuseppe-Fanfoni\u2019s-Visual-Arts-and-Restoration-Al-Masry-Al-Youm-Todays.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Giuseppe Fanfoni\u2019s &#8216;Visual Arts and Restoration&#8217;<\/em><\/a>. In MASRY AL-YOUM, 2\/11\/2010, Egypt<\/li>\n<li>Valentina Cattane &#8211; <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2014\/01\/The-complex-of-the-Mevlevi-Dervishes.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The complex of the Mevlevi Dervishes: Listening to the harmony of <\/em><\/a><em>the cosmos. <\/em>In MASRY AL-YOUM, 17\/11\/2010, Egypt<\/li>\n<li>Doaa Elhami \u2013 <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2014\/01\/Hebdo-2010.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">La Passion du restaurateur.<\/a> <\/em>In Al AHRAM HEBDO, 28\/12\/2010, Egypt<\/li>\n<li>Giuseppe Acconcia \u2013 <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2010-6-17-Al-Ahram-The-Mevlevis-house-Acconcia.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">The Mavlevi\u2019s house<\/a>.<\/em> In Al AHRAM, 17\/6\/2010, Egypt<\/li>\n<li>Patrizia Raveggi \u2013 <em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2010-ottobre-3L_presentazione-Raveggi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Giuseppe Fanfoni: codici, itinerari, linguaggi<\/a>. <\/em>In ARTI VISIVE E RESTAURO, 20\/10\/2010, Il Cairo<\/li>\n<li>Mona Serry \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2011-1-10-AL-MASAEYA-Monday-January-10.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>La biblioteca alessandrina ospita Giuseppe Fanfoni, un artista italiano<\/em><\/a>. In EL MASAEYA, 10\/1\/2011, Egypt<\/li>\n<li>Giuseppe Fanfoni \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2014\/01\/BibAlex_2011.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Identity preservation in renewed uses of ancient monuments<\/em>.<\/a> In BIBALEX, 2011 April, Egypt<\/li>\n<li>Shelly Kittleson \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2013-1-10-ANSA-10-1-13.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Italian professor helps restore Cairo sufi complex<\/em>.<\/a> In ANSA NEWS, 10\/1\/2013, Egypt<\/li>\n<li>Giuseppe Acconcia \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2013-8-3-Italiani-dEgitto-Il-Manifesto.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Italiani d\u2019Egitto, un mondo sommerso dalle rivolte<\/em>.<\/a> In Il MANIFESTO, 3\/8\/2013, Egypt<\/li>\n<li>Rossella Fabiani \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2014\/01\/Oss.-Romano-gen-2014.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Dove ruotavano i dervisci<\/em><\/a>. In L\u2019OSSERVATORE ROMANO, 20\/1\/2014, Vaticano<\/li>\n<li>Doaa Elhani \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2014-11-12-Hebdo-12-11-14.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Giuseppe Fanfoni: La conservation est d\u2019une importance majeure pour les g\u00e9n\u00e9rations \u00e0 venir. <\/em><\/a>In Al AHRAM HEBDO, 12\/11\/2014<\/li>\n<li>Giuseppe Fanfoni \u2013 <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2016\/08\/limparziale.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">CIERA: Cantiere scuola di specializzazione. In Il progresso imparziale<\/a>, LE PROGRES EGYPTIEN, 21\/6\/ 2016<\/li>\n<li>Sada El Balad &#8211; <a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/01\/2017-da-Sada-El-Balad-2014-11-23-Italia-Egitto.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>2014-11-23 Archeologia Italia-Egitto<\/em><\/a>, 2017, Egitto<\/li>\n<li>Rehab Abdel Aal &#8211;<a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/12\/Articolo-Haggaghi-it-ar.pdf\"> Un archeologo avverte del problema con l&#8217;Italia dopo che \u00e8 stato sequestrato l&#8217;equipaggiamento della missione archeologica italiana<\/a>.\u00a0In Akhbar El Yom News, 2018 Agosto 19.<\/li>\n<li>Elena Panarella e Rossella Fabiani &#8211;\u00a0<em><a href=\"https:\/\/www.cfpr.eu\/wordpress\/wp-content\/uploads\/2018\/12\/MESSAGGERO-11-11-2018.pdf\">All\u2019Accademia d\u2019Egitto un italiano fa rivivere la Sama\u2019Khana dei dervisci ruotanti del Cairo<\/a>. <\/em>In IL MESSAGGERO 11\/11\/2018<\/li>\n<li>Rossella Fabiani \u2013\u00a0Un professore italiano fa rivivere al Cairo la citt\u00e0 segreta dei dervisci mevlevi- <a href=\"https:\/\/www.ilmessaggero.it\/viaggi\/news\/egitto_cairo_giuseppe_fanfoni_scavi_archeologia-5519035.html\" target=\"_blank\" rel=\"noopener noreferrer\">In Il Messaggero.\u00a012 Ottobre 2020<\/a>.<\/li>\n<\/ul>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>MEDIA: &nbsp; RESTAURO DEL TEATRO DEI DERVISHI AL CAIRO &nbsp; The Sema&#8217; of the Mevlevi Dervishes in Cairo &nbsp; La sama\u2019khana del Cairo TG2 Special: &nbsp; Premio Rotondi 2012: &nbsp; &nbsp; Il Complesso dei&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4166","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/pages\/4166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/comments?post=4166"}],"version-history":[{"count":85,"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/pages\/4166\/revisions"}],"predecessor-version":[{"id":4721,"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/pages\/4166\/revisions\/4721"}],"wp:attachment":[{"href":"https:\/\/www.cfpr.eu\/en\/wp-json\/wp\/v2\/media?parent=4166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}